Adquisición de obra original
* Escala aproximada. Venta de originales a petición por e-mail. Los marcos no son idénticos a los de las fotos sino que serán elegidos por el cliente.
What does, in your opinion, define a work of Art? In particular, what could be, in your opinion the features that mark an artwors as a piece of Contemporay Art?
As in Turin´s school way, I find more reasonable to develop an analysis of the aesthetic experience rather than metaphisics of art and beauty. When we try to define what a work of art shouel be, we sume it may have "a shape" of divinity on itself, a piece of a new dimension, an insight effect that may impact our senses, or at least a new fresh vision of overworked or old-fashioned ways of expression. A work of Art, as a metaphysical fact or an absolute concept, is a lie in itself, in the way that has no real power, for exampl, to connect the viewer with God or to be sacred. Other thing is to propound the vision of an art object as reflecting properties or particular aspects of Delty, a spiritual world or metaphysical realities or hypothesis.
Would you like to tell us something about your multidisciplinary background? Are there any experiences that particularly influenced as an artist and impacted on the way you currently produce your artworks?
I eally enjoy exploring different ways of expression, I started an approach to all what I considered could manifest beauty. I had processes to learn on each field. In painting I learned to define objects, and to fight for a new way to see reality.
"She narrates of personal experience but she effectively combines reality with imagination, giving life to a coherent unity that gently invite the viewers to reflect about the evocative potential of images. ."
Concurrently on time, I was learning theory of music, singing, piano, choral technique, harmony... I was discovering the complexity of music and how was a perfect way to express feelings and atmospheres with accuracy and exquisiteness. After some time I started to understand that the way to work and progess with efficacy in art for me was "walking" on foot on music, the other on painting as a way of living and also as my natural balance. But also many multidisciplinary phenomena where taking place. When I started "Concert for Hoover and Hair-dryer" at Rietvelt Academie, noisism, dodecaphonism or atonal concepts were merging in this performance. When I developed "The cup of the wrath of God", I was using a dark room as a tapestry to pput all the instruments you could find all over the place. In "Pidgeon", I used a dead, hanged dove with light coming form a a TV to present a desolated, and spiritually empty world.